La Familia
OUR JOURNEY
Marble Leo’s story begins not with a business plan, but with a shared devotion to beauty and form.
Founded by Ms. Mei Lee, an interior designer attuned to the soul of space, and Mr. Hadar Sharan, a sculptor whose work bridges structure and emotion, our atelier was born as a quiet sanctuary of craftsmanship. In an age of noise and speed, we chose stillness; believing in the value of working slowly, by hand, and with purpose.
From the beginning, we brought together master artisans from Taiwan, trained in traditional techniques that were vanishing from modern production. We created custom pieces for clients who sought refinement beyond the ordinary; many of whom remain with us today.
What began as a small workshop has grown into a studio with its own language; one that values restraint over decoration, proportion over spectacle, and longevity over trend. Our atelier took root in China, with ongoing collaborations across Asia and Europe.
Today, Marble Leo remains a partnership between design and sculpture. Every piece still carries the fingerprint of its origin; shaped by the founders’ vision and the quiet standards they set in motion.
Quarter Century of Excellence
THE ATELIER
The heart of our company lives in the atelier.
It is not a factory floor, but a space of stillness and intention, where ideas are shaped by hand, and beauty is allowed the time it needs to emerge. Here, work begins not with a schedule, but with a conversation: between designer and craftsman, between material and form.
Our atelier gathers artisans across disciplines—wood, textile,leather, lacquer—each carrying their own language of making.
Together, they speak in details: in curves carved by instinct, in seams sewn with rhythm, in finishes polished by feel.
Within, lives Hadar’s sculpture studio—an integral part of our world.
We approach furniture with the same spirit as sculpture and painting; this perspective is not applied from the outside, it comes from within.
We are also working with artists to reimagine form—creating work that use our furniture parts and frames as their canvas. In their hands, function becomes narrative, and objects take on new life.
We do not mass-produce; we compose. In the quiet hum of our atelier, function finds grace, and furniture becomes something to be felt, not merely used.
